0 x item(s)
All printed books include a unique code enabling complementary download of the digital version.
Combining textile history with contemporary design, this book explores the story of the hap through five beautifully illustrated essays, and thirteen stunning patterns.
While the first part of the book looks to the past for inspiration, exploring the many different contexts in which haps were made and worn, the book’s second half acts as a springboard to the future, as designers from around the world present their own interpretations of the hap.
From Nevada and Finland to Reykjavik and Burra Isle, the patterns in these pages are as distinctive and varied as their designers’ locales. Haps may well surprise you: they can be square, triangular, or hexagonal, incorporating lace, cables, or colour. Though haps are, by definition, functional, wearable textiles, you’ll find they can also be elegant and fascinating, graphic and abstract.
Whatever your knitterly interests, you’ll find the Book of Haps an endless source of inspiration and a canvas for your creativity.
These patterns are inspired by, and share elements of ‘traditional’ Shetland haps: they are worked over a garter stitch fabric; are knitted in a “heavy” rather than a “fine” Shetland wool yarn; and feature simple Shetland openwork patterns, rather than fine lace. Their construction, however, is rather different from the borders-in, or centre-out method used by Shetland knitters to create a hap: Northmavine is a top-down, centre-out design, and Hap for Harriet is worked from side to side with some simple shaping and openwork to create its sweeping points.
When the weather is chilly, what better way to be “weel happit” than in a warm and cosy wool shawl? While, in 19th-century mainland Scotland, the noun “hap” might suggest a plaid or other type of women’s wrap, in Shetland a “hap” came specifically to refer to the attractive openwork coverings made and worn by the knitters of those islands. In contrast to the luxurious fine lace shawls that were produced for merchants or special occasions, haps were intended for everyday use, to be worn around the house or on the hill. Spun and knitted thicker than fine lace, a hap was a garment with a function: to keep the body warm. Wrapped and tied around the torso, or tucked hood-like around the neck and chin, a good hap would efficiently insulate its Shetland wearer against the exigencies of cold and wind. Knitted over a background of garter stitch, and featuring shaded chevrons of familiar Shetland openwork patterns (first in natural sheep-shades, and later in dyed colours), haps could also be incredibly beautiful and striking in their simplicity. Like the best kind of functional clothing, haps possess a certain timelessness of design, and today this Shetland classic is frequently re-interpreted by knitters around the world.”